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The Day I Didn’t Want To Write About Lady Gaga

Lady Gaga is the Internet. If you try to look up “Lady Gaga Alejandro video” on YouTube, you will find several faux links — mostly, for the record, leading to unattractive angry gentlemen with laptop cameras opining on something or other. The unattractive angry gentlemen, for once, have it right: Entitling something after a Lady Gaga release is going to get you some clicks.

This, for the record, is also how I justified writing about Lady Gaga so much to my personal gentleman caller, around the time he was following up every single post I or anyone else wrote about the Gaga with a blog post of his own to the effect of “SHE IS A POP ARTIST AND ACTS LIKE A POP ARTIST OH GOD STOP WITH THE DECONSTRUCTING:” Lady Gaga is the Internet. Every time she does something, we all pay attention. But, unlike a video of a farting baby or a fatally injured cat or whatever else it is the Internet is looking at this week, she somewhat rewards our analysis. Particularly analysis of the lady-politics or “what the heck is up with sex? That seems like a complicated topic, to be sure” variety. Everything she did was spectacle, pure goofy Internet-pandering spectacle at that, but it was typically rooted in at least some interesting statements about femininity, or gender identity, or sex of some variety; therefore, those of us who wanted to talk about those things were well-suited to keep an eye on Lady Gaga, and to write about her, for she could keep people entertained with her dazzling sparkler boobies while we talked about it.

Which is why it’s a damn shame that “Alejandro” is basically a Madonna video. And also, boring.

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THE FUCK IS WRONG WITH YOU PEOPLE: Advice for Deleted Commenters, From a Puppy

[Sady is trying very hard to be a nicer and less confrontational person. However, she still sometimes gets bad Internet comments! And is, of course, tempted to respond to them, which really takes a toll on the whole “nice” project. Therefore, we are introducing a new Tiger Beatdown comment moderator: Hektor, An Adorable Puppy. He will be looking through your comments and personally deciding whether or not they are stupid. On the occasion of a particularly stupid comment, he will opine.]

Hello, Internet people! My name is Hektor. And soon you will know my wrath.

But before we begin, there are a few things you ought to know. First: I’m an adorable puppy. Like, really really super adorable. Check this shit out:

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WHOA. THAT IS AN ADORABLE FUCKING PUPPY, RIGHT THERE. You just want to nuzzle him, and pet his head, and toss him a tennis ball, and feed him treats, and feed him more treats, and procure for him the finest of beef steaks, and then feed that to him, and then give him additional treats, and… wait, what? Sorry. I got distracted.

Anyway: Adorable puppy. Me. I’m glad we got that sorted. So, here is the second thing you need to know: You all work for me now.

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What We Write When We Don’t Write For the Internet: Looking For A Voice In All The Wrong Places

Once, a long time ago (in Internet terms; for non-digitally based life forms, it was about twelve months ago),someone paid me a compliment about something I’d written. You have a great voice, she said. It was a very nice thing to say,  and even more so to hear it from someone who is an amazing writer, because voice is something writers tend to worry about. Mostly because nobody is sure exactly what it is that makes a voice, but everyone agrees it’s a good thing to have.

Voice is more than just style. It’s not that hard to imitate a style, as anyone who has read my Raymond Chandler–J. R. R. Tolkien crossover will have seen. Even the really out-there stylists can be imitated–you could, for example, mix a World War II engineering text with random pages of Fear and Loathing in Las Vegas to come up with a fairly good imitation of Pynchon’s Gravity’s Rainbow. You would not, however, have Pynchon’s voice, the thing that can make a forty page digression on an obscure meteorological phenomenon in Central Asia seem gripping, goofy, and lord help us even a bit profound. (If you like that sort of thing; I do, or at least I know I did once.)

Voice is a lot of things: but if I had to define it for myself, it means using all your quirks, knowledge, style, tics, vocabulary, word choice, hell, even your spell check and thesaurus, to create an effect that not only communicates what you want to say, but does it in a way that is uniquely you. Maybe once we’d have called it wit, but this is America and the twenty-first century, and we don’t have time for anything that can’t be barked out at a personal improvement seminar.

On a number of levels, I’ve had to learn a lot about voice.

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M.I.A. IS A FAKE: Some Thoughts on Authenticity, Politics, and Truffle Oil

So, last week. Last week! We had a Theme Post Party! I was called a militant radical misandrist lesbian recruiter by (some of) the readers of The Atlantic, for disagreeing somewhat on the finer points of Ms. Caitlin Flanagan’s Boyfriend Story! My gentleman caller and/or a puppy arrived in my living headquarters, and it was very exciting! Also, in Things That Happened Last Week: I ended up giving not one, but two interviews. And filming a panel. And at a certain point in this process, Dear Reader, I began to flip the fuck out.

It didn’t help that I read the Lynn Hirschberg profile of M.I.A. that ran in the New York Times Magazine recently. That piece: It got under my skin. It disturbed me, in many visceral and icky ways. It seemed, to me, exemplary of the ways and means by which women who use their voices politically are knocked down, knocked over, and fucked up for the public’s entertainment. And people liked it. People I like, people I admire, at least one person I’m particularly close to: They responded, joined in the group-kick, were eager to denounce M.I.A. as a liar and a fake and a fraud and a bitch and a bad activist. And over what? Over passages like this:

Unity holds no allure for Maya — she thrives on conflict, real or imagined. “I kind of want to be an outsider,” she said, eating a truffle-flavored French fry.

The fact is, valuable things were uncovered in that piece. M.I.A. has been inconsistent, and misleading, about her father’s involvement with the Tamil Tigers. And I appreciated that voices other than M.I.A.’s were given the chance to speak out, in a widely read forum, about Sri Lankan politics and the Tigers; the allegation that she’s being overly and dangerously simplistic, in her unconditional support of the Tigers, is probably true. What I don’t appreciate, however, is the fact that these things were only brought up as a means of destroying M.I.A.’s political credibility — shortly before attacking her credibility on more or less every other front.

M.I.A. is a fake, the article more or less says; no matter what she says or writes or records about global capitalism being a bad thing, no matter how fiercely she would seem to defend marginalized people, she’s just a shallow, narcissistic, bossy, stupid woman who only wants your attention, only wants to be famous, only wants to be a star. And did you hear that she was having contractions when she sang “Paper Planes” at the Grammys? Shocking! Provocative! Fame-whorey! Regular-whorey! Unfeminine! Selfish! Bad mother!

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What We Read When We Don’t Read the Internet PRESENTS! A Dream Deferred: Lorraine Hansberry’s Lesbian Agenda

[And here we are: On Sunday. I assume you are all comfortably drunk from your various brunches, and therefore in an extra-friendly mood! Well, good news: It turns out ALL OF OUR GUEST POSTERS WERE SUPER-AWESOME THIS TIME AROUND, and also, that we have one further awesome guest poster for you. Her name is Lauretta Charlton! Some may know her! Those who do not already know her are soon to be super-impressed! BEHOLD.]

I was fifteen when my father gave me his copy of To Be Young Gifted and Black by Lorraine Hansberry. As with all the books he gave to me, he simply said, “you should read it.” No description, no reason other than a tone of voice parents use when trying to display unmitigated authority. It was years before I opened the book, after becoming more familiar with its author and her other work. Looking back, I wonder if my father knew exactly how powerful and influential this slim mass-market paperback would be in my life.

The success of Hansberry’s brilliant play Raisin in the Sun, which opened on Broadway to immediate success in 1959, left the race-torn country spellbound. This attractive, ebullient and young black woman took the landmark case won by her father protecting the rights of African-Americans to purchase property in predominantly white neighborhoods and created a fiercely intelligent, American drama. Although covenant law was particularly controversial at the time, Hansberry managed to assuage the tempers of both white and black audiences with the play’s extraordinary earnestness. The ending, however, is only slightly cathartic, answering one of the play’s provocative questions (is it justifiable to assume most African-American men are to be feared as violent, uncontrollable and uneducated criminals?) with a resounding: STOP BEING SO GODDAMN RACIST, AMERICA! But the play poses so many questions: what is the role of the matriarch in the black community? Is achieving the American dream contingent upon monetary success? How have other forms of discrimination, namely homosexuality, tarnished our culture?

My father is socially conservative (chalk it up to his Southern Baptist background and low blood sugar). He comes from a family that truly believes “birds of a feather, flock together.” In other words, don’t date out of your race because they simply won’t GET IT. (Funnily, this includes African immigrants, a subject addressed by Hansberry in the play.) It is also a family that finds homosexuality utterly reprehensible. It was a particularly profound for me, then, when I discovered Hansberry was a lesbian, or dated women, or whatever the fuck it was that you were allowed to DO in the 1950s without having the feds come after you, serious-like. She didn’t “come out” during her lifetime. However, it was revealed posthumously in the 1970s that she contributed to the nation’s first nationally syndicated lesbian magazine, The Ladder. In her letters, Hansberry, who signed L.H.N. (initials for her married name) writes that she is “glad as heck that [the Ladder] exists” and discusses the “discreet” Lesbian thusly: “Someday, I expect, the ‘discreet’ Lesbian will not turn her head on the streets at the sight of the ‘butch’ strolling hand in hand with her friend in their trousers and definitive haircuts. But for the moment, it still disturbs. It creates an impossible area for discussion with one’s most enlightened (to use a hopeful term) heterosexual friends.”

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What We Read When We Don’t Read the Internet PRESENTS! The J.K. Rowling Complex, or, Why My Initials Are How You Know Me

[Yes, we are back! Because here is the thing about this particular THEME POST PARTY, my friends: We got so many folks coming our way that we just decided to keep partying right straight through the weekend. We have discussed, for example, what we read! Or: What we don’t read! Or: What NO-ONE should read, because it is a super-stupid idea! (Crime and Punishment and Sweet Valley High — the amazing best-seller ideas, THEY JUST KEEP COMING.) However, have we discussed what is like to be a lady who WRITES things? Except for tangentially, we have not! Therefore, let us meet our new friend, the intriguingly be-initialed M.R. Fall.]

So, let’s be honest here, friends: none of you are going out to the theater unless there’s some live, nude Daniel Radcliffe onstage.

Okay, maybe that’s an overstatement. But the fact is that audiences are dwindling and the average age of audience members continues to rise – meaning, ladies and dudes, a vast number of you aren’t joining the theater party if Harry Potter isn’t the one pouring your champagne, and this noble art form is going to die out with the greyhairs in the orchestra seats (if you know what I’m saying) (and I think you do).

Here’s another fact: maybe a reboot wouldn’t be such a bad thing. In the past year or so, there have been some serious findings about the current status of gender bias in theater. Turns out this bias is more than the physical discrimination also present in film, television and fashion; it’s a bias against lady playwrights, against their lady words, lady intelligence and lady ideas. The bias against female playwrights translates into a bias against their protagonists, if playwrights dare to make them in their own lady-images. Women are fundamentally unlikable, the prevailing wisdom goes, so women lead characters are unlikable, too. And women playwrights are even more unlikable because they have something to say.

I’m not going to summarize the article written by playwright Marsha Norman in American Theatre about this, but I will cite three of her statistics. First: 83% of produced plays are written by men. Second: according to the U.S. Department of Labor, if less than one-quarter of professionals in a given field are women, that profession is considered “untraditional” for women. Third: “using the 2008 numbers,” Norman wrote, “that makes playwriting [and other theater professions] untraditional occupations for women.”

Pretty grim, right? But, in her article, Norman added something else. “If it goes on like this,” she wrote, “women will… all start using pseudonyms.” Frankly, Marsha Norman, you might be thinking to yourself, after reading all of those statistics, that doesn’t sound like such a bad idea! And you know what, you guys? That’s what I thought, too.
I had a pretty important choice to make when I began my professional life last year. I could do what I had been doing during my college days and keep writing under my tried-and-true lady name. Or I could write under my initials.

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SEXIST BEATDOWN: The Retrosexual Trend-Piece Writing Code Edition

The Retrosexual! Who is he? What are his ways and principles? Are his website design skills as hilariously bad as one might hope they are?

Thanks to our delightful comment section, I have found the answer! I have found, in fact, the Code of the “Retrosexual,” one of the many forms of gender-role historical re-enactmenter participating in this our current “Menaissance” (I am just straight-up going with it like it’s a thing! You make up a stupid term, I use the term! Over and over, until you get JUST HOW STUPID IT IS), along with trend-piece writers who won’t stop cranking out pieces about how women really want to bone dudes who act like Don Draper and, I dunno, those bros who are always Icing bros.

This Code is notable for many things: Looking as if it were designed approximately 12 years before the Internet even existed, and being basically plagiarized by more than one real-live grown-up publication that should know better are two such things, for example. However, it also endorses the following!

Hideous bodily injury!

A Retrosexual should have at least one good wound he can brag about getting.

Child abuse!

You are NOT allowed to see a shrink because Daddy didn’t pay you enough attention. Daddy was busy DEALING WITH IT. When you screwed up, he DEALT with you.

Watching “Glee!”

A Retrosexual watches no TV show with “Queer” in the title.

STONE-COLD MURDER???


A Retrosexual should know how to properly kill stuff (or people) if need be.

I… I think it’s time to discuss this. With Amanda Hess of The Sexist!

Beer_Hunter_MillerAd05MILLUSTRATION: The most Retro Sexual of all!

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What We Read When We Don’t Read The Internet PRESENTS! How Sei Shonagon Invented Your Tumblr

[Yesterday, we took a break! Sometimes it happens, my friends. I hope you did not miss us all too terribly! But today, we are back again — and will be back, again and AGAIN — with What We Read When We Don’t Read The Internet. And today, the person who is back is me! Managing to talk about the Internet, somehow, again!]

Intimacy is female. Love, marriage, domesticity, parenthood, even close friendships — basically any situation in which you might find yourself having a feeling, without the option of resolving that feeling by shooting something to death — have all, pretty much, been assigned to the chicks. Men have more interesting things to deal with! Things like war, and politics, and careers, and swordfights, and occasionally landing on the motherfucking moon! Granted, men also have families and homes and friends and (I’m told) feelings. But such things are not manly! Let us not speak of them! The chicks, it is their job to discuss these things!

It’s why Jane Austen is boring unless someone adds in zombie fights. (Ha ha, the commodification of female sexuality due to women’s restricted ability to participate in the public sphere, and the resultant struggle of women to simultaneously leverage their sexuality for status and money, restrain all sexual desires that did not stand a chance of turning a profit, and forge happy, affectionate partnerships with men: ZZZZZZZ.) It’s why raising a child isn’t book-worthy unless parent and child are both also dudes trekking through an apocalyptic wasteland filled with feral baby-eating hill folk. It’s why Jonathan Franzen freaked out when his novel about a family got picked up by Oprah’s Book Club and thereby lumped in with all of those other, female novels about families; it’s why “chick-lit” is a derogative; it’s why even girls don’t want to read about girls. Intimacy, privacy, domestic life: All of these are associated with women. And when we associate something with The Ladies, we assume that it, much like The Ladies themselves, is not worth our time.

It’s also, in case you wondered, why one of the best ways to insult somebody’s work is to say that it “reads like a diary.” Because diaries: They are pretty much for the chicks, as well! They have unicorns and heart-shaped locks and glitter on them and everything! And the process of documenting your own intimate life, often admitting to feelings about it, is a very extremely girly thing to do. (Except for when men do it, in which case they are Bravely Sharing Their Innermost Feelings and must never be criticized for anything they actually say.) Like: Remember when people were trying to figure out why there were No Female Bloggers? “There are no female bloggers,” went the line, “but why?” And then people pointed out that there were female bloggers, lots of them, and the line was then, “but why are they not so widely read?” And then people pointed out that they were widely read, but not by the people asking those questions. And then the line was, “well, but women write about Personal Things. And men write about Real Issues and the News. And that is why we do not read female bloggers, which is why there are none. The End! We figured it out!” It works the way patriarchy always works: We tell girls to do certain things (care about dating; care about motherhood; Be In Touch With Their Feelings), and then when they do them (care about dating enough to write about their dates; care about motherhood enough to start a mommy blog; Be so In Touch With Their Feelings that they consider those Feelings important enough to consider at length and then share with the world at large) we tell them that those activities are worthless and stupid and a waste of our time.

I wrote these notes at home, when I had a good deal of time to myself and thought no-one would notice what I was doing. Everything that I have seen and felt is included. Since much of it might appear malicious and even harmful to other people, I was careful to keep my book hidden. But now it has become public, which is the last thing I expected… I was sure that when other people saw my book they would say, “It’s even worse than I expected. Now one can really tell what she is like.” After all, it is written entirely for my own amusement and I put things down exactly as they came to me. How could my casual jottings possibly bear comparison with the many impressive books that exist in our time?

Friends: Consider Sei Shonagon.

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What We Read When We Don’t Read The Internet PRESENTS! Even Transsexual Cowgirls Get the Girl Book Bashing Blues

[What, you thought our Theme Post Party was done? Nuh-UNH! Let’s check in with C.L. Minou about her many disreputable past literary lives and how she learned to stop worrying and Trust Women (Writers.)]

There is this narrative, that fits some people–maybe most, I don’t think there’s been a poll–who transition from male to female that goes something like this: oh, from a young age she wanted to be a girl played with dolls only watched Princess videos wanted frilly dresses for her birthday. And like I said, those people definitely exist and thank the Ceiling Cat they’re getting the attention and support they need much more often nowadays.

But it’s not–despite the claims of some of my more, ah, categorical sisters-in-trans, the only way to be trans, or grow up being trans. There is, for instance,  me, who didn’t even crossdress until the age of 13 and then took another 22 years for the pieces to fall into place.

Because if you want to know how fucked up Patriarchy is and what it can do to you, I can’t think of a better example than this: even someone who grew up wanting to be a girl thought that “girl stuff” was stupid.

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Welcome! To the Menaissance Festival!

So, the “menaissance.” It’s a thing! Granted, it was also a thing in 2008. But it went away. Presumably because people figured out what a stupid name it had, and decided not to engage in it any further. And yet, the Menaissance is upon us once again! It’s a Menaissance Renaissance up in here!

What is the Menaissance, you ask? Well, it seems to have a bit to do with the recent invention of the “retrosexual” gentleman (because nothing is more clenched-jaws-and-fisticuffs-level masculine than a cute little nickname for your gender presentation), a bit to do with those deodorant commercials about how men smell really super bad all the time and that’s what makes them dudes, probably something to do with that one Burger King sandwich that’s got all the beef in it (dudes EAT THE SHIT OUT OF beef, apparently), and, as always, a lot to do with good old-fashioned heterosexual male castration anxiety.

The chicks today, they get to do so many things! Why, they can vote, and attend colleges, and even drink and smoke in public,! These chicks: An alarming number of them have jobs! And, like, financial autonomy, from the jobs, and hence a socially assured position of power from which to negotiate the terms of their relationships and lives, thereby making them not entirely dependent on the funding and/or goodwill of men for their continued survival and status, and so they’re all able to make decisions and expect fair treatment and… dude, it’s a mess, I tell you. Because it turns out, after like fifty-some years of this business, none of these chicks is impressed enough by your penis!

“Excuse me, madam, I happen to have a penis,” you say. (Because you do. A trans variety of gentleman has no place within the Menaissance!) “Would you, perchance, like to hear about all of my thoughts and feelings as they relate to this penis, and also how important it makes me, and furthermore how it qualifies me to boss you around?” And the chicks today, they don’t particularly care to listen! They used to listen. They used to have to. It was, like, their job.

(Continued)