Skip to content

BREAKING AWARDS SHOW NEWS.

Notorious rapist climbs stage, is met with applause and loving jokes about how he could beat folks up (for example, prior to and/or while raping them). Movie featuring  notorious rapist, which is about the hilarity of roofies, hating women who don’t and/or do have sex, and Zach Galifianakis maybe being a registered sex offender (HA! Just like that one guy in the movie who IS A RAPIST, IN REAL LIFE) wins award for Best Comedy. More jokes about awesomeness of notorious rapist ensue; warm-hearted applause for notorious rapist resounds throughout the theater. Unlike that one time when the guy who participated in blacklisting won an award, there is no visible or reported protest. Not that it would ever be okay to compare this extremely visible and obvious verification that we live in something called “rape culture” to blacklisting. Because, you know, that (blacklisting) was actually bad!

In a related story, feminist blogger Sady Doyle completes plans for utopian space colony NoDudesonia. (SPACE COLONY MOTTO: Seriously, Guys, We Tried. We Just Need Space, All Right?) Should you wish to defect from Dude Culture, re-education programs will be made available to you. Stay tuned for tips re: escaping from this dystopian hellworld before it is too late.

SEXIST BEATDOWN: Midnight Train to Gropetown Edition

Ah, Gropetown. Once a mere settlement at the border of Sexual Assault City and the Rape Culture territories, it is now a thriving tourist destination, populated by thousands of happy citizens! Thousands of happy citizens who want to grab your ass for no reason while you’re on your way home, that is.

My incomparable colleague Amanda Hess of the Washington City Paper’s The Sexist, of course, is the premier scholar of Gropetown and its mores, having published many a finding recently. Whereas I, myself, am but a person who has encountered the occasional grope! Together, in this very special edition of Sexist Beatdown, we shall endeavor to find some workable explanation for the widespread existence – and really rather appalling acceptance of – gropery in the public square. This week’s line-up of suspects? Law and Order: SVU, dudes with sexual-assault-tolerant dating insecurities, nice ladies who are scared to throw a punch like a nice lady sometimes oughtta, and a culture that not so long ago was cranking out lyrics like this to explain the complex female psyche:


When I hear the compliment’ry whistle
That greets my bikini by the sea,
I turn and I glower and I bristle,
But I’m happy to know the whistle’s meant for me!

Or, you know, there’s this gem:

My favorite part is when she talks about her job goals! But, yes, she is also thrilled about the boys whistling. THRILLED, I SAY! AS SHOULD YOU BE! PAY NO ATTENTION TO THE MAN BEHIND THE CURTAIN! ALTHOUGH HE IS CURRENTLY REACHING FOR YOUR BOOB!

Yes, everybody, it’s Musical-Theater-Inflicted Trauma Week at the Tiger Beatdown, for some reason. So, sing along, and we shall discuss!

(Continued)

Fame: A Romance, with Flung Tampons

[EDIT: I’m taking this down, because people started to play guessing games as to the identity of the person I wrote about, and in some (deleted!) comments, they got it right. I know, I know: barn door = closing, cattle = out, etc. All I can say is that I forget how many people read this blog sometimes. And, honestly, I wanted this to be a story primarily about me, and about having a crush on this one guy in high school, rather than a story about this one guy. So, I’m taking it down, because the last thing I want is for this blog post to infringe upon his privacy. Or, to be entirely honest, on my privacy. Sorry!]

Sexist Beatdown: Let Us Now Praise Famous Men’s Boners Edition

Ah, Katie Roiphe. Always with the feminist controversies, that one! And, you know, I’m fond of feminist controversies: they typically open up some interesting issues, and make us talk to each other about things that are uncomfortable but important, and enrich the discOH MY GOD WHAT?????

Okay, so: Roiphe posits that the problem with the dudes today, specifically the writer dudes, is that they are not writing about sex the way they used to. You know, I have a lot of problems with the dudes today, but that’s not the one that comes most immediately to mind! Also, the “way they used to” is apparently the way that would piss Kate Millett off so much that she had to write an entire book about it. Yes, Roth and Updike and (God help us all) Mailer pioneered a specific ’60s sort of swinger virility, which has been abandoned now by hyper-sensitive feminist pantywaists like:

  • Jonathan Franzen, whose The Corrections featured a guy fucking his own furniture, along with some highly comical heavy-breathing “lesbian” scenes that could not be more obviously written by a straight man if Franzen had included pictures of himself making sweet love to a lady on the opposing pages.
  • David Foster Wallace, whose eunuch status is pretty much informed by seriously misreading or ignoring the relevant points of one essay on Updike.
  • Benjamin Kunkel, whose Indecision climaxed with a drug-fueled sixty-nine, with the male protagonist – and this is a phrase that was burned into my brain, which I must now traumatize you with to alleviate my own suffering – “ejaculating like a garden hose.”
  • Jonathan Safran Foer and Dave Eggers, because, okay, Roiphe has a point.

It’s true! The literary celebration of the male boner, and its various uses on dumb sluts who don’t even get how degrading this is to them, probably because of how dumb and slutty they are, is a lost art. I defy any of the young authors today, for example, to match these immortal words of Shakespeare:

Shall I compare thee to a filthy slut?

Thou art more whorish, and an awesome fuck,

For thou dost let me do thee up the butt.

‘Twixt rosy cheeks mine throbbing cock is stuck!

At least, I’m pretty sure that’s how it goes. I sent my expert team of fact-checkers out to get me a pack of smokes, so! Assertion published! But is it really Feminism – which seems to have trouble getting even its most basic points accepted by society at large – that has resulted in the castration of the American male laptop-user? Or is it the fact that the highly graphic straight-dude focused sex scene is no longer really a literary innovation, and is instead the basis of such timeless American literature as I Hope They Serve Beer in Hell? Is it the fact that the first Google result for “bright green dildo” is “two sexy goth girls playing with a bright green dildo” rather than a critical appreciation of Philip Roth’s extremely highbrow usage of the aforementioned implement in The Humbling? Or is it the fact that Roth’s scene of two sexy girls playing with a bright green dildo reads like this?

There was something primitive about it now, this woman-on-woman violence, as though in the room filled with shadows, Pegeen were a magical composite of shaman, acrobat, and animal. It was as if she were wearing a mask on her genitals, a weird totem mask, that made her into what she was not and was not supposed to be.

Honestly, I dunno! Pretty sure it’s fodder for a Sexist Beatdown, though! Join us, as Amanda Hess of The Sexist and I attempt to puzzle it out!

2164446083_05d3cd545d

ILLUSTRATION: Why don’t people write literature like this any more?

(Continued)

Acts of Contrition: Feminism, Privilege, and the Legacy of Mary Daly

So, Mary Daly died.

Huh.

Now, if you know about me, even a little, you will know I have a complicated relationship with the works of Mary Daly. At first, they were everything I embraced about feminism; then, they were everything I tried to reject. It seems selfish, when talking about a dead woman, to talk exclusively about what she meant to you; it’s laying a claim on the woman that you do not actually have. I wasn’t in her life; I didn’t know her. But we are selfish, about the dead – particularly when their work is all we really have of them. It’s hard to keep from injecting yourself into the conversation.

(Continued)

SADY LIKES MOVIES: A First For Tiger Beatdown

Say! Do you know what I’ve been doing? I’ve been doing The Holidays, is what I’ve been doing. And do you know what The Holidays look like? Well, when I am conferring with my top-notch Gentleman Associate, they look like getting started with some breakfast burritos and Bloody Marys (a fine drink! And, on the holidays, substantially finer due to our including the more optional and exciting ingredients) and then catching up on some movies. And, when I am at home with my family, they look like being bitter because you don’t have a driver’s license and someone else ate all the breakfast burritos, and also catching up on some movies!

I am mean to movies, you guys. So often. It makes me sad, how mean I am. Because every now and again, I will look in Ye Olde Comment Queue, and someone will be like, “this is why I read your blog! Because I hate all movies!” And, much as I love every single commenter here, that is a sad way to be. Movies are excellent! Here, I present some movies I have watched over The Holidays that I have actually enjoyed a great deal. And which were sympathetic to a feministical sensibility!

1. SMILEY FACE

I didn’t get Anna Faris before. But I totally do now! This movie is fun if you were totally fine with Apatow until you noticed that having a vagina was an automatic Unfollow for the majority of the male characters therein. Like, “sorry you can’t also figure out that growing up is hard and that it’s easier to exist within a permanent irresponsible adolescence whilst sharing some knowing chuckles about how dumb you act sometimes, but also? You’re A LADY, ICK.” This movie does not commit that sin! It commits Wonderful instead. Anna Faris is, in this movie, very stoned and very messy and very terrible at each and every one of life’s little challenges, and she wears a shirt that says “Sex Wax,” and you might maybe think she is you at times; I did. Scenes in which we flash into the minds of dudes and their fantasies about her – both of the dudes are level-twelve cute, John Krasinski and John Cho, but they are made up to be sort of hideously unappealing, which is a constant source of chuckling in its own right – and then contrast the dude-fantasies with the actual reality of Anna Faris and what she is fantasizing about are a particularly pro-lady delight. Good job, all around!

(Continued)

Dear Kristen Stewart,

Please. Please. I am begging you. Please, for the love of God: MOVE YOUR FACE.

No, not to a different location, Kristen Stewart! You can keep your face right where it is! Which is your head, I am assuming. No, Kristen Stewart: I am referring to the subtle movement of facial muscles, and more precisely to the series of small or large contractions and/or relaxations of said muscles, which we human face-havers refer to as “expressions.” Frequently, those of us who move our faces do so to express emotion! Face-movement lets those around us know what we are thinking, without the effort of lengthy speeches. As such, you would imagine that it would be a fairly important skill for a person whose job is to convey emotions and thoughts in a visual medium. A person such as an actress! A person such as YOU, Kristen Stewart!

And yet, your face? It does not move.

Let me explain: I recently watched a movie in which you appeared. A movie called Adventureland! Now, I would like to share with you, and with those who may be reading this here open – yet Kristen-Stewart-specific – letter what my thoughts on Adventureland have been. For example: imagine, if you will, that a friend of mine approached me, and was like, “Sady, I would like to watch a movie with you. This movie is by the director of Superbad, features Ryan Reynolds in a prominent role, and concerns an upper-middle-class white dude who mopes a lot about his parents not handing him a chunk of money that would have been – and still is, really – inconceivable to you in size, thereby forcing him to take a job that he believes to be beneath his station. He mopes about the job, pretty much throughout. And Kristen Stewart is his love interest, also.” My reaction to this proposal would have been pretty bad! Somebody would have gotten a crotch-punch in that exchange, is all I’m saying! And yet, Adventureland is a fine movie. Kind of a shockingly excellent movie, in point of fact. I just have this one problem: your face is in this movie, Kristen Stewart. And your face? IT POSES A PROBLEM.

Let’s flip through your range, here, Kristen Stewart. Here’s fear:

kristen_robert_new_moon

Okay. Here’s overwhelming lust:

kristen_robert_new_moon

Here is your puckish sense of humor:

kristen_robert_new_moon

And here is, I don’t know, “existential crisis caused by realizing that your parents lied to you about Santa Claus and you believed them and therefore reality may ultimately be subjective and unverifiable and how do you know what you know? Do you trust it? Maybe you shouldn’t! Oh my god, I am so high! What if I have brain damage???? FROM ALL THE MARIJUANA“:

kristen_robert_new_moon

I trust you begin to see the problem. And, trust me, in a film which relies to any substantial degree on your face, said problem is EVEN WORSE! Like, in Twilight and Twilight: New Moon? Whatever. These are Twilight movies. Bella Swan is specifically constructed so as to have nothing resembling a human personality, and “I have nothing resembling a human personality” is something that your face communicates. Quite well! And, honestly, Robert Pattinson can’t do all that many things with his face either. So you are evenly matched! But in Adventureland? This surprisingly almost-good movie, marred only by the presence of and/or lack of movement within your face? Eh. Like, there is this whole scene – it seems to stretch out into infinity, although I would be surprised if it were in fact over fifteen seconds long – where your character has just been in a car with the whiny upper-middle-class white guy who is, for real, SO DISAPPOINTED that he has to have a job. And we are supposed to be witnessing some emotion on your face, as you drive home from this encounter. The issue? We cannot, by any facial indicators, discern what that emotion is supposed to be. Is it, “goodness, I feel the stirrings of an unexpected crush,” for example? Or is it, “I am quite conflicted about this crush I feel stirring within me?” Or is it, by any chance, “if this upper-middle-class white guy does not stop whining about  how his parents made him take this job instead of giving him a shockingly huge cash-wad – this job that I ALSO HAVE, and have SUBSTANTIALLY LESS CHANCE OF ESCAPING, because I will not be attending GRAD SCHOOL AT COLUMBIA and having someone else PAY MY MOTHERFUCKING RENT while I’m there, for the sake of the SWEET VIRGIN MOTHER’S SANCTIFIED CUNT-HAIR – I will take each of my socks off and cram them down his throat, one by one, just to shut him up?” That would be an interesting emotion! But since it is on your face, this is what we get, more or less:

kristen_robert_new_moon

Or maybe the point of your character is that we can’t tell what she’s thinking, or whether she’s thinking, or whether she does, in fact, know what a “thought” is. Sure! That’s fun! I wish the question were resolved, at some point, but whatever! If I were in a more analytical, feministical mood, Kristen Stewart, I would talk about this whole freaky wave of non-expression-having, pseudo-hipster love objects – from Margot Tenenbaum to Zooey Deschanel to Scarlett Johansson to, Jesus, Sofia Coppola herself, whose face did not apparently come equipped with expression-making software as far as I know – and how this reflects the desires of a certain variety of (probably) upper-middle-class, (probably) white, (but definitely) male person, which is the desire for a woman precisely as subordinate, empty, hollow, and one-dimensional as the woman Tucker Max or your standard anime geek is probably masturbating over right this second, a fantasy woman which makes them precisely as ill-equipped to deal with a real female person as any or every fantasy woman created by a sexist culture, but with some weird coating of “cool” over the surface, like an ill-fitting slip cover on your grandma’s couch, a “cool” which is not actual cool because actual cool comes from having A PERSONALITY, that personality being something to which none of the above-listed women EVER SEEM TO ASPIRE. But I’m not in that mood, Kristen Stewart! It’s New Year’s Day, and I am drunk, and I just want more prosecco, to be honest! So I will just say this:

You are playing Joan Jett, Kristen Stewart. Yes, my own personal inspiration, imaginary lady-friend, and quite possibly wife: Joan Jett. Do you know one thing that is indisputably, verifiably, historically factually accurate and true about Joan Jett? SHE MOVED HER MOTHERFUCKING FACE. A lot! And it was awesome! I will NOT ALLOW YOU to profane my lady Joan Jett, Kristen Stewart.

So, please. Please, please. Please, for the love of God: take your face. And, somehow – it may be slow, it may be painful – MAKE IT MOVE.

Love,

Sady.

STATE OF THE FEMINISM: Time for a Rebranding, Ladies!

Hey, you guys! It is almost a new year! A new DECADE, even. That is a big deal, right? And, as we approach our bright and shining future, it’s time for us to engage in some serious thoughts. Thoughts about Feminism! Where has it been, where is it going, at what point do we just get around to establishing that the true point of Feminism is and has always been for me to have my own rocket car, etcetera. And who do we trust, in this hour of futuristic thought, to guide us on to Feminism’s new era?

Probably not Nicky Loomis of the San Gabriel Valley Tribune, that’s who! Oh, I know, I know. “Nicky Who-mis of the Where Where WHAT, now?” That is what you are saying. And I sympathize! I’ve never heard of this person, either! But Nicky has written us a letter, about our movement, and the many faults Nicky happens to perceive therein. And since it is addressed to us – to ALL OF US, in fact – I think we should give it a fair hearing. It begins:

DEAR Feminism,

See? It’s for you!

Hi. How are you?

God damn it, Nicky Loomis of the San Gabriel Valley Tribune, I THOUGHT I TOLD YOU NOT TO CONTACT ME. It’s over! Let it go!

Guess what? Another decade is done and people are starting to wonder where you have gone.

Um, fucking EVERYWHERE, I think? Did you try Google? Did you look for the explosion of independently-run and/or corporate-backed feminist media that has been one of the better developments of this past decade? Like: there are some big places we hang out on the Internet, really. Did you try Shakesville, Feministing, Pandagon? A website entitled, last time I checked, “Feministe?” These are some of the easier names to plug into your Google machine! They’re not even the only names I know or the only names I seek out because they’re continually attached to work where I can find Feminism hanging out and chilling and entertaining guests; they’re just names that are substantially easier to know about or have heard of than, say, “Nicky Loomis!” Did you try the feminist or feminist-friendly offshoots of major for-profit media? DoubleX, Broadsheet, Jezebel? You can find Sarah Haskins on the Internet too, I hear! She has a little TV show, I recommend it!

Also, do you read things that are printed on paper? (Continued)

“Things I Missed Over the Holidays” PRESENTS! The Complex and Sophisticated Politics of James Cameron

Oh, hey, guys: who noticed this headline?

Going Na’vi: Why Avatar‘s politics are more revolutionary than its images

I did! I noticed this headline! And to it, let me just say: hahahahaha. Hahahaha, haha, HAHAHAHA. Ha; ha ha!

Pause; I must catch my breath, with all this hilarity going on. Oh, how droll you are, Onion AV Club! Do go on, with this, your delightful joke. Although I don’t see how you’re going to match the headline!

Rather than a clunky work of agitprop the movie can—and, I think, ought to—be seen as a polemic, which makes criticism of its obviousness beside the point. Having Lang’s colonel refer to his plan to bomb the Na’vi into submission with the words “shock and awe” is not subtle, but it’s not meant to be.

Oh, I would IMAGINE NOT! My, but you are a delight this evening. Have you been sneaking into the brandy? Oh, wait, I see; you are not done.

It would be one thing if Avatar’s allegory stopped at a few repurposed catchphrases. But Cameron is after something much more ambitious, and substantially messier. At times, the corporation’s attempt to suppress the Na’vi resistance recalls the ongoing occupation of Iraq, and at times it evokes the jungle war of Vietnam. The attempt to wipe out an indigenous population to make way for the exploitation of natural resources resonates with the decimation of the rain forest and the genocide of Native Americans. The Na’vi belief in Eywa, an all-encompassing spirit that flows through every living thing on Pandora, parallels the holistic beliefs of the Plains tribes.

Oh, my. So, you mean to say that this particular movie – called “Dances with Wolves in Space,” subject to more Fern Gully: The Last Rainforest comparisons than any cultural artifact in recent memory save Fern Gully: The Last Rainforest itself, already noted for belonging to the benevolent racist “white guy saves and/or bangs the natives” (going Nativ’ei! GET IT) tradition of cinematic craftsmanship – actually attempts, much like many a terrible Star Wars prequel of years past, to wedge in an unnecessary, blatant, and manipulative set of parallels to the Iraq War, the American genocide of Native peoples, and some rainforest shit possibly also? Goodness! Such a feat has never been attempted until now! Or, to be more precise, such a feat has never been attempted by James Cameron, within the last month! Until now! It sounds less impressive when you phrase it that way, sure. But how does it work out?

The movie boils down to a master theory of European colonialism: an imperialist master narrative… The movie’s most seditious act is to evoke the specter of September 11.

Oh, right! The thing Battlestar Galactica did in 2003, you mean? Back when it was still vaguely shocking and a brave thing to do? But seven years later, and with Thundercats? I mean, I like a bright pretty bucketload of expensive cartoonery as much as anyone, you guys! Shit, you had me at “alien world” and “explosions.” Even if you can’t somehow get James Callis involved (WHY COULD YOU NOT GET JAMES CALLIS INVOLVED. Seriously, he does not have to bring his shirt, or have any lines. It can JUST BE HIM) that line will sell me.

But honestly: hahhahaha. HA. Hahahaha HAHAHAHA hahahahaha. Hahahahahahaha, hoo boy, ahhhhhhhhhh, we have fun. Say, there’s a movie named Titanic that I think you ought to check out! It contains lots of the complex and sophisticated politics of James Cameron, specifically those relating to Rich People and Poor People. Turns out, one of those types of people is SUPER-MEAN! It’s like Das Kapital, with boats. I think you’ll enjoy!

The Continuance of Sexism In Our Enlightened Post-Feminist Era: Snow Storm Edition

SCENE 1: EXTERIOR. APARTMENT STOOP. DAY.

[SADY, exiting the apartment and descending its several perilous steps for cigarettes, encounters her LANDLORD shoveling out the walk.]

SADY: Just so you know, I salted the steps last night, but it’s come down hard since then, so you might want to give them another going-over.

LANDLORD: Okay.

SCENE 2: EXTERIOR. APARTMENT STOOP. DAY.

[SADY having re-entered the apartment, re-exits several hours later, with A DUDE. They encounter the LANDLORD, still shoveling.]

LANDLORD (looking past SADY, directly to the DUDE): Thank you for salting the steps last night.

[END.]

Now: perhaps it is a well-known fact that girls cannot carry heavy bags of salt, lest their spindly female limbs snap off, nor touch the salt contained within said bag, lest they melt like garden slugs. OR, my landlord, in addition to his many other fabulous qualities, is sort of a sexist.